Louise Créteur's husband dies on the Titanic trying to emigrate, so she must leave their boy Lucien with her old dad in Honfleur and leave the Normandy countryside for greater Paris. She becomes a maid in the run-down Villa des Roses, a dodgy pension run by crafty retired barrister Hugh Burrell and his frivolous, posh wife Olive, an international home to has-beens and would-bes. Louside becomes the lover of German painter, but fears he's not committed and has an abortion. Fate changes, at the eve of World War I.

Louise Créteur's husband dies on the Titanic trying to emigrate, so she must leave their boy Lucien with her old dad in Honfleur and leave the Normandy countryside for greater Paris. She becomes a maid in the run-down Villa des Roses, a dodgy pension run by crafty retired barrister Hugh Burrell and his frivolous, posh wife Olive, an international home to has-beens and would-bes. Louside becomes the lover of German painter, but fears he's not committed and has an abortion. Fate changes, at the eve of World War I.

这张是GNR 1992年在东京的演唱会录像，Use your illusion I, II，双DVD（说是双DVD其实是一部），也是他们唯一一部官方出版的live。其中，不但收录了GNR所有经典的歌曲，如Sweet chile of mine, Don't cry, November rain， 更有slash 吉他演奏的电影教父的主题曲。

这张是GNR 1992年在东京的演唱会录像，Use your illusion I, II，双DVD（说是双DVD其实是一部），也是他们唯一一部官方出版的live。其中，不但收录了GNR所有经典的歌曲，如Sweet chile of mine, Don't cry, November rain， 更有slash 吉他演奏的电影教父的主题曲。

这张是GNR 1992年在东京的演唱会录像，Use your illusion I, II，双DVD（说是双DVD其实是一部），也是他们唯一一部官方出版的live。其中，不但收录了GNR所有经典的歌曲，如Sweet chile of mine, Don't cry, November rain， 更有slash 吉他演奏的电影教父的主题曲。

Maya is a quick-witted young woman who comes over the Mexican border without papers and makes her way to the LA home of her older sister Rosa. Rosa gets Maya a job as a janitor: a non-union janitorial service has the contract, the foul-mouthed supervisor can fire workers on a whim, and the service-workers' union has assigned organizer Sam Shapiro to bring its "justice for janitors" campaign to the building. Sam finds Maya a willing listener, she's also attracted to him. Rosa resists, she has an ailing husband to consider. The workers try for public support; management intimidates workers to divide and conquer. Rosa and Maya as well as workers and management may be set to collide.

As a boy, Serhat lost both his father and fortune but built an empire on family and integrity. His world shatters when his wife Berrak hides a devastating secret and falls into a coma. While searching for answers, his heart hardens—until he meets Zeynep, a passionate florist chasing the same truth, igniting a journey of trust, passion, and redemption.

In this romantic comedy, set in Las Vegas, "Diamonds & Guns" follows best friends Ashley(Renee O'Connor, of Xena:Warrior Princess) and Bria as they set off to change their luck. From the Sunset Strip to the Vegas Strip, they cannot seem to escape their troubles. In a comedy of errors, they find themselves wrapped up with the mob, chased by a hitman, and falling in love with the least likeliest guys. What happens in Vegas...just may alter their fortunes forever. Who will make it out alive? Who will end up with who? Place your bets... "Diamonds & Guns"

The invention of censorship, which dates a few years later than the invention of cinema, pushed smutty films to go underground which is synonymous with total freedom, since banned, erotic films could become fully pornographic. 　　Banned but still produced, filmed and especially shown, these films are called “from brothels”, as some were shown in smoking and waiting rooms of brothels. It is there, or in private collections, that they went through the 20th century, waiting for the explosion of the 1970s — and the legalization of the pornographic genre. 　　Usually anonymous (and rightly so!), difficult to date, these films pave the way of this genre (minimised preliminaries, light screenplays, compulsory figures, limited duration of films…), and at the same time carrying some specific features: sometimes humour (Sœur Vaseline) and more often, a sort of… innocence, that of the all first times.

Les Cent Livres des Hommes (ORTF, 1969-1973) was a series of literary programs created by Claude Santelli and Françoise Verny, and produced notably by Santelli, Jean Archimbaud, and Serge Moati. Planned for one hundred episodes but completed at thirty-nine, the series aimed to introduce great literary works, 'chefs-d’œuvre', to a younger audience through a mix of dramatization, reading, and documentary techniques. It marked a transfer of cultural legitimacy from writers and critics to a generation of television producers, offering a new model of educational and creative literary broadcasting - 'télévision d’auteur'.